Sigmund Freud Commentary On Psychology - 1529 Words

Sigmund Freud Commentary Freud begins his investigation into Fetishism by making the following statement â€Å"What happened, therefore, was that the boy refused to take cognizance of the fact of his having perceived that a woman does not possess a penis. No, that could not be true: for if a woman had been castrated, then his own possession of a penis was in danger; and against that there rose in rebellion the portion of his narcissism which nature has, as a precaution, attached to that little organ.† (Freud 1927:153) in this he discusses the point at which he decides a fetish is born into existence as a necessary tool for survival in the young male’s mind. What is so interesting about this quote is the fact that Freud believes that the boy†¦show more content†¦This is part of a continued thought that penis should be disregarded in its biological nature, the important factor is in fact the power that the young male associates with it, so much so that he must fa bricate a substitute for where it is missing in his mother, and so much so that this substitute dominates the boy’s sexual life and potential to reach satisfaction. To broaden his argument and make a direct comparison regarding his investigation on psychosis and neurosis, Freud discusses another case of loss early in life; â€Å"In the analysis of two young men I learned that each – one when he was two years old and the other when he was ten – had failed to take cognizance of the death of his beloved father – had ‘scotomized’ it and yet neither of them had developed a psychosis. Thus a piece of reality which was undoubtedly important had been disavowed by the ego, just as the unwelcome fact of the woman’s castration is disavowed in fetishists.† (Freud 1927: 155). This is so important to his argument as it shows the high level of importance that he assigns to the idea of castration to a young boy – to the point that it pro duces similar effects and is as altering to the psyche as the loss of a beloved father when very young. He suggests that the penis holds all the power ofShow MoreRelatedInterpretation Of Dreams In Kalpa Sutra833 Words   |  4 PagesKalpa Sutra: Comparative Analysis with Freud’s Psychology of Dreams ---------------------------------------------------------------------------------------------------------------------Abstract The study attempts to analyze the psychology of dreams as given in ancient Jain text – Kalpa Sutra. 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Truth Revealed in Sophocles´ Oedipus the King Essay

A story of fate versus free will, innocence versus guilt, and truth versus self-denial, Sophocles laces Oedipus the King with suspense through his use of dramatic irony and achieves an excellent tragedy. The drama opens and we meet Oedipus trying to figure out why his land is cursed and his people suffering. His quest to find out who has caused the downfall Thebes ultimately leads to his downfall. We learn of his triumphs as he has saved the people of Thebes by solving the riddle of the Sphinx, and so his character reflects one who has an ability to seek out the truth and also one who has the flaw of hubris. He reacts rashly when confronted by Tiresias and Creon when their revelations threaten his reality. This certainly reflects an†¦show more content†¦Through his pride he mocks Tiresias for not using his â€Å"prophetic eyes† to solve the riddle of the Sphinx and save Thebes as he did. Tiresias response proves Oedipus’ lack of sight and knowledge even further : â€Å"you mock my blindness? Let me tell you this. You with your precious eyes, you’re blind to the corruption of your life to the house you lie in and those you live with—† (469-72) Tiresias has full knowledge of the truth even without physical sight versus a man who has sight but is unseeing of the truth that is literally in front of him. This adumbrates Oedipus’ fate, as he will also become like Tiresias with knowledge but no physical sight. Despite many warnings to let things be, Oedipus persists to know the truth especially since it seems to evade him. He is sure he has absconded the claim of patricide and incest by staying away from his â€Å"parents;† the same way Jocasta and Laius thought they had speared themselves that fate as well. Now, they both disregard prophesies as truth. Oedipus has been accused of killing his father but word has been brought to him that his father, Polypus, has died in Corinth and he exclaims: â€Å"Jocasta, why, why look to Prophet’s hearth †¦to murder my father, did they? That was my doom? Well look he’s dead and buried, hidden under the earth, And here I am in Thebes, I never put hand to sword— †¦But now all those prophecies I feared—Polybus packs them off to sleep with him in hell! They’re nothing, worthless.†Show MoreRelatedOedipus The King Analysis1357 Words   |  6 PagesGreek play, Oedipus the King, shows how easy it is for a man to fall apart, while trying to make things right. Sophocles’ tragedy tells the story of Oedipus, a regular man turned king of Thebes. Throughout the tragedy, Oedipus searches for the cause of the chaos and havoc encompassing his land; however, he discovers that he is the one responsible for the hardships plaguing Thebes. 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The play emphasizes this through Oedipus, the main character, as someone whose life is impacted by his pursuit knowledge, which, in turn, transforms his character. Consequently, Sophocles’ assessment of knowledge, as a gift, burden, and an absolute truth, is ascertained through Oedipus’Read MoreOedipus The King Analysis800 Words   |  4 PagesOedipus the King Sophocles is widely recognized as one of the greatest drama and play writes of all time. Sophocles’ writing takes place in the classical period. His unique style of writing involves symbolism, archetypal characters and tragedies. This type of style is shown in the â€Å"Oedipus the King† which can consists of either a great man or woman who has fallen. Sophocles paints a clear picture of exercising free will and it’s benefits, and the disastrous effects it can have on ones’ life. OedipusRead More The Search for Truth in Anton Chekhovs The Cherry Orchard and Sophocles Oedipus Rex1281 Words   |  6 Pagesis engaged in the interminable quest for truth. The knowledge that one can never understand everything makes a person wise. Ignorance is the assumption that one can understand all about the world around them. An ignorant person is so confident they comprehend the truth, that they are blind to the greater truth. Anton Chekhov and Sophocles deal with the i dea of this sinful pride that leads to ignorance in their respective works, The Cherry Orchard and Oedipus Rex. In each drama, certain characters areRead MoreStructure Of Oedipus The King1452 Words   |  6 Pagesthis. Of the three Theban plays, Oedipus the King is the finest example of how a drama’s structure and characters heavily contribute to the development of the theme. 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In Sophocles Play Oedipus1017 Words   |  5 PagesOedipus and His Tragic Traits In Sophocles play Oedipus the King, Sophocles depicts the horrible fate of Oedipus, a pompous, arrogant young ruler. The story begins in the Greek town of Thebes. A plague has descended upon the Thebians causing death and famine throughout the land. Oedipus, being the heroic king, takes full responsibility to find out the cause of their aliments. While working to discover the source of the plague, Oedipus stumbles upon the tragic truth of his heritage and the horrifyingRead More Film Adaptation of Sophocles’ Oedipus Rex Essay971 Words   |  4 Pages â€Å"You are your own enemy† (Guthrie, Oedipus Rex, 22:43). In the film adaptation of Sophocles’ â€Å"Oedipus Rex† (1957), Sir Tyrone Guthrie portrays the characters as truth seekers that are ignorant when trying to find King Laius’ murderer. On the other hand, Sigmund Freud’s hypothesis of Sophocles’ work introduces us to â€Å"The Oedipus Complex† (1899) which states that as w e’re young we grow infatuated with our opposite sex parent and feel resentment towards our same-sex parent. These two pieces have adaptedRead MoreSelf-Discovery and the Pursuit of Truth in Sophocles Oedipus1138 Words   |  5 PagesPursuit of Truth in Sophocles Oedipus It is said that the truth will set you free, but in the case of Sophocles’ Oedipus, the truth drives a man to imprison himself in a world of darkness by gouging out his eyes. As he scours the city for truth, Oedipus’ ruin is ironically mentioned and foreshadowed in the narrative. With these and other devices Sophocles illuminates the king’s tragic realization and creates a firm emotional bond with the audience. Oedipus’ quest is

Where Women Lead The Show †Renoir’s Acrobats At The Cirque Fernando, 1879 Free Essays

Pierre-Auguste Renoir’s Acrobats At The Cirque Fernando, 1879 shows two young girls, most probably between twelve and fifteen years of age, taking turns to perform their act at the circus. One of the young girls is carrying balls around her chest while the other is communicating with the audience as part of her act. The girl who is communicating with the audience has a questioning, innocent expression on her face. We will write a custom essay sample on Where Women Lead The Show – Renoir’s Acrobats At The Cirque Fernando, 1879 or any similar topic only for you Order Now The one who is carrying balls is possibly waiting for her turn to perform. She, too, is innocent and fresh in appearance as the other. However, she seems to be dwelling on her new experiences of semi-adulthood. Perhaps she is musing on the boys in her life – the young men who admire her very much. The audience depicted in the painting, behind the bodies of the two young girls, appears to consist of men alone after all. The men appear like judges, in their black coats, giving them the semblance of uniformed officers. Only one of the men has his face visible through the painting, and the face is hard enough for the girls to display their innocence in all its glory with the assumption that the counterpart of a harsh and doubtful attitude must be softness. Although the girl carrying the balls has her back turned toward the hard faced man, she knows that she too would have to perform. The expressions of the male and the females in Renoir’s Acrobats At The Cirque Fernando, 1879 are rather similar to the expressions of the two sexes depicted in many of the artist’s works of the time. The woman is seen as the adored and innocent object that performs, even though the man is hard faced, perhaps weary of the work that he performs to fend for his family day after day. The woman is the amuser, the muse, and the object of entertainment to fend for. After all, she is beautiful. The only beautiful facet of the man is that he is strong – in Renoir’s paintings, at least. What is more, the man is always staring at the woman in Renoir’s works. He fondles her whenever he has the chance. The woman remains faithful to him – this is depicted through the innocence on her face. If she becomes unfaithful she knows that the hard faced man would discontinue supporting her. The French word for ‘thank you’ is merci, which, if used in English, perfectly describes the attitude of the woman in late nineteenth century Paris. Although Paris was one of the first places in the west where women were generally believed to have been liberated, Renoir’s painting reveals that the women were definitely not liberated through promiscuity or debauchery. Rather, the urban Parisian women in the late nineteenth century seem to have been given permission by their men to be out and about, entertaining them, while remaining faithful to their innocence as well as their marital vows. As the facial expression of the young girl carrying the balls in Renoir’s Acrobats At The Cirque Fernando, 1879 reveals – women understood their position in Parisian society even as they were aware that men and women are equally dependent on each other. Perhaps they also knew that men could turn violent against the woman – the epitome of mercy – and that their partners may very well become harsh and cruel if they were not obeyed according to divine laws that are believed to demand that they become subservient unto men. Although these beliefs continue to be nurtured in many parts of the world, Renoir’s Acrobats At The Cirque Fernando, 1879 is a reminder that divine laws may have been misconstrued as well! How to cite Where Women Lead The Show – Renoir’s Acrobats At The Cirque Fernando, 1879, Papers